The Wisest Dog In The World vs The Greatest Card Trick In The World

One of my favourite Bill Hicks lines goes like this:

“You’re looking at me like a dog that’s just been shown a card trick.”

I guess he used it when he felt like the audience didn’t get him. Ha ha! Stupid dog, doesn’t even know what cards or numbers or spades or diamonds are. You could draw symbols of cats or bones on the cards in a vain attempt to connect, but it’s just not relevant to the dog.

But let’s unpack the idea a little bit. What does the dog feel when the cards are held out for him? Probably the blissful ignorance I feel most of the time. Holy cow, if we’re not being shown the biggest card trick of all time, every waking moment!

Okay, maybe we’ve figured out what that ball of fire in the sky is, and we can use words like “singularity”, but these ideas are probably the human equivalent of a dog sniffing at playing cards, thinking: “can I eat these?”

The universe is the card trick, we don’t know what the cards are or why we’re being shown them. “Why?” is probably not the point, or even the appropriate language for the trick. Maybe when you are stirred by art, or experience things that can’t be explained by science yet, you get a glimpse into the meaning of the trick, then the door slams shut and the cards lose their meaning as soon as you start trying to construct one.

So let’s all try to be The Wisest Dog In The World; but unlike the dog who doesn’t even know to be baffled by Bill Hicks’ card trick, maybe we can at least have the insight to know that we’re dogs and being baffled is probably the right jumping-off point.

I found this Onion op-ed by a dog most informative.

Here’s a song featuring religion. It’s not an anti-people-with-faith song, it’s an anti-concentrating-unaccountable-power-in-the-hands-of-a-few-people song.

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I Bring You Peace On Earth With A Song…

To mark Martin Luther King Day (yesterday), here’s me doing a song to bring peace and harmony to the world. I was inspired by Stevie Wonder and Paul McCartney asking: “Ebony and ivory live together in perfect harmony, side by side on my piano keyboard, oh lord – why don’t we?”

Well, I don’t mean to sound funny, but piano keys find it easy to live together because they have no central nervous system and are not capable of anger or revenge.  An earlier version of this (my) song (called “Ivory and Ivory”) was recorded for BBC Radio 2’s Richard Herring: That Was Then, This Is Now, where I suggested that the apartheid era could have been ended by arranging black and white households in South African neighbourhoods in the same sequence of the black and white keys on a piano keyboard, with giant hammers coming out of the back each house that could strike piano wires to make one note per household. The members of each household, black and white, could organise to jump up and down in their houses in sequence and learn to play chopsticks.

In practice, this idea proved too complicated and they organised a Truth And Reconciliation commission instead.

PS. As usual, Democracy Now! put out the best MLK day broadcast. Yesterday’s DN! featured a recently unearthed recording of MLK speaking in St Paul’s Cathedral, London in December 1964.

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I’ve Been Shot! And I’m Gigging With Rich Hall!

I was shot yesterday… By a great photographer!

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Here’s a pic that we liked. The rest are for my 2015 Edinburgh Fringe show and have a different look – but I guess I’ve got to pay the talented Mr Andy Hollingworth before I show them off!

My Edinburgh Fringe show this year will be about creating songs with utility that serve humankind. Really.

…And this just in: I’m guesting on Rich Hall’s Hoedown this Wednesday, which will be ace, not least because Rob Childs and the band can’t half play.

Don’t forget, if you want my new album for free, just email me at info@christianreilly.co.uk with the word “Ebeneezer” and I’ll send you the link.

I’m also Tweeting, YouTubing and Facebooking , and would love to hear from you.

 

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