People think comedians are crazy, but I feel sorry for people doing projects that don’t involve an audience.
If I have a stand-up idea like, now-ish, I can put it on its wobbly feet in front of some people like, tonight-ish.
The way tonight goes will change the shape of the idea for the next time I try it out. This process can repeat until we’re all happy with it. Having an audience is the gift that gives me an opportunity to take a chance…
Well, thanks for the gift, audience, but why do I want to get out of my comfort zone when you’re around?
Just a thought, but I reckon the gift of an audience won’t come to much without the gift of a deadline.
That’s the gift you have to organise.
Unlike a novelist who has to be really disciplined (or has the gift of a caring publisher breathing down their neck for a manuscript), stand-ups can commit to (say) an Edinburgh Festival run. That’s committing to a new hour of material or August is going to suck. Now those try-out nights really need to count.
The best deadlines I ever had were recording dates for radio shows (lucky me), or podcasts (don’t have to be lucky to do those). That mike is going to go live at that particular time, better have something to say into it…
Yes, going to Edinburgh in August is expensive (except when it’s not – be part of the Free Fringe!), but podcasting (for example) isn’t. The Camden Fringe or The Leicester Comedy Festival are also ace and may be nearer and less expensive for you. The Sheffield Comedy Festival is ace squared.
Yes, there’s a cost in time and effort; but whoever you are, what’s the long-term cost of not creating?
PS. Maybe the idea for non-performers is to find a way to involve an audience in your project, whatever that might look like.
How about this for novelists with writer’s block:
I had an idea to start a web company along these lines: You promise to help an author produce a manuscript by date (x). You get the author to give you, say, £1000 (more if you think they’ve got it). Both parties sign a legally-binding contract that you get to keep the money if you don’t get a manuscript of (n) pages on date (x).
I think this will result in a delivered manuscript 100% of the time. The reason that it needs to be a business is that it won’t work if you’re friends with the author. It has to be like “Strangers On A Train”. Maybe authors who don’t know each other could do this for each other via the web – each egging the other on to not complete!
Sounds sadistic, I bet someone’s already thought of it!